We are so much more than eyes, and skin, and hair. We are more than ears and necks. We are packets of energy and light held within these fragile containers. Our faces are labels. We can discern some of the ingredients from a mere glance, but only some. In the right light, at the right angle, we can get a sense of character. But what is ‘right’? When the spirit glows. You know it when you see it. You feel it.
Sunlight is, I believe, is the most revelatory. It is also the most flattering. Sure, it can be approximated. Faked. But the serendipity of natural sunlight creates the most powerful portraits. It is what the painters of old used for their portraits. Rembrandt. I am after that Rembrandt drama. The drama of the face. That is a landscape worthy of depiction. In such a photograph the soul seeps through. And souls are what we bond with, not faces. Hearts and minds are won through feeling, not seeing.
The portrait is a success if you feel something. I’m not interested in lifeless cardbo...
Lines mean a lot to me. Lines and curves. They help create compelling narratives in which the person I’m photographing is the protagonist. They suggest movement which is not always physical movement but emotional/spiritual. It is pure synchronicity. Nothing is ever planned. We find an interesting location and the backgrounds suggest themselves.
These kinds of portraits reveal more than just reflections. This is about more than what you look like. This is not a typical business headshot. And though I do those, I enjoy these the most because it’s through them I discover the person I’m photographing the best. And it’s through them I discover myself.
If I could bring an entire team out to one of these types of locations (and I know many) I believe I could create one hell of an About Us page. The world around us characterizes us. It provides a context for who we are as people. Clients don’t often think about the background. Often they ask for something neutral or white. But we are not neutra...
I don’t like to post images that look like ads. But I am still trying to figure this out, using social media to promote my work, to engage people, to find new clients. I often worry that I’m not doing enough, not reaching out enough. I don’t like self-promotion. But it’s difficult, being your own sales and marketing team. And it’s hard to be subtle and show restraint when your very life depends on the hustle.
I’d like to think that my work speaks for itself, and it does, to a degree. But it’s a whisper. It’s a low voice in a sea of shouts. Slow and steady wins the race, they say. Be patient, they say. It takes years to build a business. Is that what I’m doing? I didn’t think of it like that six years ago when I embarked upon this crazy dream. I just followed the breadcrumbs, and crumbs they were. But I hustled gigs, and people helped spread the word, and I’m still in the game. For now.
My goal has always been to create portraits that you’d stop and look at. I wanted you feel something. I...
A company is made of people. It is the people who define the brand. If you can feel the passion, feel the zeal, your connection to that brand will be authentic. You can’t believe in a logo. You believe in human beings. Sometimes that begins with a photograph.
I’ve been lucky. I’ve had the opportunity to photograph brilliant people at companies large and small. From start-ups to industry leaders I’ve played a small role in capturing the magic behind the brands.
My specialty is in corporate portraits. About Us pages. Speaker bios. It doesn’t matter the size of the company. All that matters is that the people love what they do. Because that passion can be captured. In fact, if it’s real, it can’t b contained.
I specialize in portraits. Not so much headshots, but authentic, real, true photographs that capture the essence of a person. I'm especially good with people who don't like their picture taken. The process of a portrait involves a conversation. The result is a natural photograph. I don'...
I think that maybe the trick to doing a (good) portrait is to see oneself in another person. That may seem obvious. That may seem facile. But I’ve got to look at you like I’m looking in a mirror, I mean really looking.
When I really look in the mirror I see myself in all my facets and all my phases. I see the child version of me, the young adult, and the me I am today. I morph between those versions and see the evolution like an animated GIF.
When I look at a person I am photographing I sometimes see the child in them. And I imagine them on some playground, running, swinging, laughing in the joy of their youth. If that happens (and it doesn’t always) I know I’m going to get great photos.
When I say “great photos” I mean photos that will stop me in my tracks. Photos that will feel timeless, and deep. That’s what I’m hoping for.
So, surrender to the moment and regress. Become that kid again. Show no fear. We’re just a couple of children meeting for the first time on the playground.
You’re getting your portrait done and maybe you dread the moment. You don’t like cameras and the whole concept sort of freaks you out. Does this describe you?
Or maybe it doesn’t freak you out but you’re a bit nervous and can use some guidance. How can you look and be your best? What can you do to ensure the best possible photos result from your session?
We’ll get to aesthetics in a moment but first I want to talk about your energy. Whatever you bring to the session in terms of your state of mind will show up in your photos. If you want to come across as self-assured and approachable, you have to embody that. Use whatever Jedi mind tricks you have to to tell yourself it’s going to be okay. Breathe. Photographers aren’t dentists. They won’t hurt you. Engage them in conversation. Get to know your photographer. Develop a rapport.
Regarding wardrobe, the single most important piece of advice I can give you is wear something you love yourself in. Whatever makes you feel great. Solid colors com...
It’s strange and miraculous how people come into our lives. We are each like celestial objects hurtling through space until our trajectories cross. Sometimes we collide, violently. Sometimes the dust of our comet tails intermix. And we move on, on our courses, but we are forever changed.
When I met Paul I was at a low point in my life but that was ten years ago and since then things have gotten better. During this time I encountered many angels, many helpers, whose kindness and friendship contributed greatly to my well-being. Paul was (is) one of those angels. He is a helper, a benevolent force of good, and when I would see him I would feel his energy and my state of mind would improve. He’s the kind of person I want in my orbit.
Paul is a healer. But he’s not arrogant about it. There’s no ego there. It’s true that he’s a dog whisperer, but he’s a heart whisperer too. Dogs. humans, it doesn’t matter, where there is a need for love and understanding, he fills it.
An ODE to the girl she was, an ODE to the young woman's she's become. I couldn't be more proud, and it's got nothing to do with her G.P.A. or the goals she might have scored. It's about the kind of person she's become.
An ODE is a tribute, a recognition, an homage. Our children are not photo-copies, they are whole new versions that bear an uncanny likeness, to a self, that even as adults, we hardly know.
I have, now, great hope for the future of this world because Zoë, and young people like her, are growing in numbers. She sees through unjaundiced eyes. There isn't a racist, homophobic, or judgmental bone in her body. She cares deeply about people and the environment. Her heart is large.
Adolescence is a difficult rite of passage that flashes by so fast you can hardly grasp it before it's gone. If you blink you miss it. Suddenly you find yourself sitting across the breakfast table from some young woman or young man, wondering who is this doppelganger, this person I made, so many yea...