Lines mean a lot to me. Lines and curves. They help create compelling narratives in which the person I’m photographing is the protagonist. They suggest movement which is not always physical movement but emotional/spiritual. It is pure synchronicity. Nothing is ever planned. We find an interesting location and the backgrounds suggest themselves.
These kinds of portraits reveal more than just reflections. This is about more than what you look like. This is not a typical business headshot. And though I do those, I enjoy these the most because it’s through them I discover the person I’m photographing the best. And it’s through them I discover myself.
If I could bring an entire team out to one of these types of locations (and I know many) I believe I could create one hell of an About Us page. The world around us characterizes us. It provides a context for who we are as people. Clients don’t often think about the background. Often they ask for something neutral or white. But we are not neutra...
I can’t take everyone out to the Marin Headlands for portraits. I wish I could. The light is sublime. And the backgrounds are so interesting. Maybe one day I’ll do a series of team portraits there. It’s not easy to get to, but the results speak for themselves.
I choose to photograph in natural light because of the subtlety and nuance. I like the serendipity factor. You never know what you’re going to get. And there’s a freedom to this. Under the right conditions I can recreate a similar effect indoors, but still there’s something to roaming - randomly moving from place to place.
My favorite locations all have this in common - you can wander and always find great light and backgrounds. Perhaps someday I’ll do a portrait series in San Francisco’s Chinatown. That wo
uld be perfect for a local company.
If you’re looking for the standard headshot against a flat color, I’m really not your man. I can do that of course, but my strength is in synchronicity in natural light and locations. I’m lookin...