Housed in these packages our souls haunt the earth accumulating wisdom and experience like snowballs until they move on to who-knows-where? Other packages? Other planes of existence? It’s all too mysterious to absorb but I like to think about it. And when I take a photo, do a portrait, I am all too aware that pictures are not just pictures. Faces are more than faces. We are so much more than what we see.
Why does this matter? How is this relevant to the About Us page? Well, we are not automatons. We are not ants. We choose where we work, many of us. and that choice is reflected in our values, and our hearts. When I go to an About Us page I want to feel something. I want to feel passion and concern and all the human values that add up to what a company can be.
That’s why I don’t just take pictures. That’s why I invest time in each person to help bring out their best selves. My photos have depth, and emotion, they contain three dimensional human beings. I’m not interested in flat, uniform...
People assume I’m some sort of poet or artist but what I really love to do are team photos - portraits of people who work together. I’ll do your About Us page, your speaker bios, your LinkedIN photos, your C-Level execs.
About Us is more than words. It better be. You’ve heard the axiom show, don’t tell. You can say whatever you want about your people but if it doesn’t show up in their photos it will ring hollow and people won’t care.
About Us conveys the spirit and energy behind a brand. It’s supposed to make people feel like they know you. You want perspective employees to visualize themselves there. And potential clients to want to know you. About Us is your own zeitgeist. It has to feel good.
I can help you feel good. I can help you exude joy. I can help you to capture that energy that lets people know you’re the real deal.
For the NPM shoot (of which the above photo is a representative slice) I was working with a generic conference room. But it had good natural light, good northern exp...
Metaphors drive understanding. Through metaphor we don’t just see our connectedness, we feel it. For Marshall here, the metaphor is the river. Running rapids in a kayak. I don’t have to be a kayaker to understand that. I just have to have a basic understanding of rivers.
What we do in the office and what we do outside of it are not two different things. Despite what Marshall says, the line between those two places is not as hard as it might seem. I get what he’s saying. Each has its place. But there is much in common between the mentality required of each. Survival is not the dire binary of life and death but there is a certain danger, a certain seriousness, the office shares with the river.
But that’s not the point. We can tell much about this man by how he looks at the world and spends his time. This profile is more than just a picture. It’s a glimpse into how he thinks. And that’s the whole point of these ODEs (which is what I call these story portraits). I’m interested in how a perso...
It was my first portrait booking outside of San Francisco. Never before had I been flown in for photos but New York City is my hometown and I was lucky enough to know the brother of the firm. I didn’t know the people, had never been to their offices. But they sent me some photos of their space and I could see right away they had good light.
I was nervous. I always am before a shoot, but this time there was a lot at stake. I had not done this many portraits in such a short amount of time, and I had no idea what the set-up would be like. But Dave, the CEO, has a great aesthetic and as soon as I walked in I saw these chairs. Mid-Century modern. Not quite quite wing-backs but broad across the tops and in wonderful colors. That’s when I remembered David Hockney.
I’m a fan of David Hockney. Especially his painted portraits of people (mostly men) seated in these beautiful chairs. I had long been inspired by him to simply sit people in an interesting chair, in good light, and engage them with th...
When I did the website photos for NPM in Oakland I sourced a custom background (19th century beam skins from an Ohio barn) and set it up in a conference room that had northern exposure to create this unique, rich texture. I brought the barn to the office. Thanks Emily Brown for this great opportunity to perfect this method! I've not done this since but I'm itching to do it again. Who's in? Corporate headshots do not have to be staid, bland, or lifeliess. Corporate headshots can be original and reflect the personality of the brand.